Wednesday 12 June 2013

Roles & Contracts




Live Performance




Role 1: Tour Manager

A Tour Manager acts as the 'Mum' or 'Dad' on a concert tour to make sure everything runs smoothly.
They are in charge of the business side of a tour, Their duties include confirming show times, managing finances, managing the venues, dealing with promoters and making sure everyone is where they need to be and making sure they're on time.

In terms of salary, a tour manager will receive a salary depending on the size of the tour, roughly about £15,000 to £20,000 a year to start off with.
Normally, the fee structure is a normal base salary + expenses + a.p.d (an a.p.d is a daily allowance for things like food etc.)

When a tour manager is first starting out as a tour manager, trying to build a reputation for themselves, they will be in charge of smaller tours, mainly for the expenses. When a tour manager has a lot of experience, they will be in charge of tours on a much larger scale that are most likely for more famous artists, they will be earning a much larger salary.

The basic skills needed to become a tour manager is to be able to work well with other people, experience of working abroad and an additional skill would be the ability to speak foreign languages if working abroad.

A Tour manager is responsible for the whole group that he's on tour with, he/she could be working from early morning to late at night, including weekends. Sometimes a tour manager can work 24 hours a day.
Tour managers usually have a short-term contract when on tour with an artist although some contracts can last quite a long time.
The pros of being a tour manager is the fact that its definitely a good job for people who like live music, also it give them a chance to help book the artists to show and even help put the shows together.
The biggest con would probably be the fact that once the tour is over, the tour manager would be on call.

Contract of a tour manager:
Tour managers are self-employed freelance workers who work on short term contracts. 




Learn new skills
Role 2: Artist Promoter

The main job of an artist promoter is to publicise the concert that the artist is performing at, their more or less in charge of putting on the show because its their job to get the word out about the artist so that there will be a larger audience to see them perform. Their promotional methods include; organising tours, negotiating contracts, organising publicity events such as interviews and getting airtime on radio and TV shows.

On average, starting salaries for an artist promoter will be roughly £12,000-£18,000, then as the promoter becomes more experienced, he/she can earn £20,000-£40,000, Top salaries can reach up to £100,000 if the job is done perfectly.




For an artist promoter, their working hours vary a lot because they might go to concerts at night and then deal with promotional events during the day which can involve travelling overseas to different countries.


The skills a good artist promoter should have would be good sales and negotiation skills, good spoken and written communication skills, drive, motivation and the ability to work well under pressure.


The pros of being an artist promoter would be that you get to work with the bands you love, its the perfect job if you like live music and the pay can be very good depending on the shows your doing. On the other hand, the cons would be that if your working by yourself, in a small venue and with a small band, if can cost the promoter a lot of money. 


Probably the biggest con would be that promoting a show is extremely difficult because the promoter make someone write about the show or make them come to the show so promoting the show is probably the hardest job they have and can all be for nothing if no one turns up to the show.


Technician/Sound Engineer:

The sound engineer's main job is to control the sound at live events like music concerts and performances.
Their duties include things like doing sound checks before the performance or concerts, positioning the microphones and setting up and taking down equipment at every venue when on tour.
In terms of salary, normally an experienced sound engineer can earn about £20,000 - £40,000 but a sound designer can earn about £40,000 a year or more.
A sound engineer would need to be very flexible about when they can work because the hours they work can vary from a sound check and a concert to whole day of work with no rest. 
A lot of the time, sound engineers are required to work weekends and evenings because most performances and concerts are in the evening.

The skills a sound engineer would need to have would be good hearing, for judging the sound quality during a sound check, good practical skills, good communication skills and an interest in music and sound.

The pros of being a sound engineer would be that they get to take part in the excitement and the build up to the live concerts, its a good experience for people who like the technical side of music.

The cons of being a sound engineer would be that they get to use the best and the worst of sound desks and still be expected to make them sound good. 
Much like an artist promoter, a sound engineer won't get much credit if the concert was good, but if the concert is bad the band may blame the sound engineer.

Contracts - Advantages and Disadvantages


Advantages of freelance work:
Being a freelancer, a tour manager can work whatever hours they want, if they want to sleep in on weekdays they can, they are able to work their most productive hours without falling behind on any work.

Another advantage to being a freelancer would be that they can work wherever they want as well, whether its at the local Internet cafe or the person is on holiday in Greece, they are not forced to be stuck in the office or at home.

Another advantage would be that they get to keep all of the profits from their projects, the money they get allows them to expand their business.

One last advantage would be that you are your own boss and if you don't agree with something or something doesn't go your way, you don't have to agree with it.

Disadvantages of freelance work:
Although being your own boss sounds like the best thing ever, being your own boss means that you have to be responsible enough to distinguish your business hours with your personal life and leisure time.

A common disadvantage of being a freelancer would be that there is a risk of not getting paid, although there are ways to avoid non-paying clients, sometimes you could realise too late when being at risk.

Since you are now your own boss, that means that your in charge of your own clients and projects, which means that you are the only person responsible so there is a lot of legwork which means you would have to take on many roles such as; marketing, advertising and sales.

Friday 7 June 2013

Business Plan



Business Plan
Building a Small Home Studio




There are several places where you could set up a small home studio. Most likely places to be picked are bedroom, attic or basement.
In my opinion I would preferably pick a basement. This is because soundproofing won't be needed as much as other places because a basement is usually surrounded by concrete.
If you live in the basement then soundproofing would be needed most likely on the roof and windows depending on what your neighbours are like.


Equipment wise, what I would personally need or would be recommended to have are amplifiers, mixers, microphones, electric instruments and cables.
My budget for the studio would roughly be about £1000, with £1000, that can buy average equipment like small Fender or Marshall guitar amplifiers, Roland or Behringer bass amplifiers, a Yamaha MW12C USB Mixing Studio/Mixer and Chord or Samson studio microphones would be a cost effective choice of studio equipment.
To save money, besides cheap equipment, instruments that can be recorded are things that are easy to plug in. For example, vocals, bass and guitar can all be recorded through a DI box straight into the software if a mixer was not available and it cuts down on noise and interference.

The purpose of having a home studio would be to be able to make my own tracks at home without having the need to book out a different studio where I'd have to pay and lose money, but this way, I can earn money by renting out the studio to other producers who will want to produce their own tracks, and also artists and other musicians who want to hire a producer to make and mix their tracks and at the same time I would be earning money from it all as well. Nowadays, more artists want to be independent and record labels are dying.

Essentially, you can do half of the stuff that they pay to do for the price of next to nothing in your home studio, for example, you can pay for your tracks to be mixed and mastered or you can do it yourself although its not recommended to master your own tracks.
At some point, I'd create a website and a company logo to advertise my studio so that I can hopefully get more business since more people would know about the studio, other ways of advertisement could be flyers, business cards and presentation folders.  
Hiring a legal assistance would be essential and also very helpful seeing as there would definitely be legal issues in the future about having and renting out a home studio in your home.

In the long run, you will pay the cost it took to build your own studio, then after that amount has been surpassed, it will become profit. Charging for use of my home studio would help recover the money used to build the studio quicker and eventually in turn help make a profit.


Finding Faults




Finding Faults

The Beatles - Yer Blues

One of the biggest and most noticeable faults would be at 3:16 where the drummer does a fill and the song changes to a slower tempo but it almost seems like the turnaround interrupted the whole song.

When the vocals were recorded, they were mixed lower than the instruments which would make the vocals seem like they are being drowned out by the rest of the band.



Love - You Set The Scene

The first fault is at the start of the song where the guitar riff being played at the beginning is hard panned to the right.
When the bass guitar and the drums come in 4 bars afterwards, they are hard panned to the left, when most songs have the bass and drums balanced in the middle.
Another possible musical fault could be that the bass guitar clashes with what the guitar is playing.
Every instrument apart from the guitar is being hard-panned left which doesn't sound right since the guitar melodic line doesn't stop playing apart from at 2:22 where the drummer does a fill to change up the song which leads to a slower tempo and now the guitar and a brass instrument is playing a different melodic line which are both hard-panned right.

When the vocals finally do come in at 2:40, they are very quiet and are being drowned out by the band who aern't even playing loudly, at 4:10, the way the guitar is being strummed seems like the song is out of time but I don't think it is.

Weird War - I Live in a Dream

When the whole band is playing, the vocals are being drowned out, also the lyrics are hard to understand apart from the words 'I live in a dream'.

At some points in the song it seems like its out of time, especially parts where the whole band cuts out for the lead vocalist to sing the main phrase of the song.
The bass guitar is playing the same melodic line as the lead vocalist for most of the song which drowns out the singer even more.

There are many of problems with the backing vocals like the fact they are very sharp are not together and in sync, some of the backing vocalists sing their harmonies slightly before another the other vocalists.
Also the backing vocals are mixed very poorly, for example, the harmonies aren't always in time and at some points the harmonies are quieter at some points and at other times they are louder.
  

Thursday 6 June 2013

Song Chart for Songwriting Portfolio


Songwriting Portfolio


In my Songwriting Portfolio, 2 of the tracks are instrumentals and the other 2 are tracks with lyrical content.
Here are the lyrics for the 2 songs that have lyrical content;

The Golden Season

'Verse 1:
Its that time of year, when the world starts to change
and the warm-coloured leaves begin to die and fall from the trees.
In Summer's golden years, when the sky turns to grey
With shorter days and longer nights, and Halloween

Chorus:
I know that it rains a lot, but I don't mind
it gets dark by 4'o'clock and the street lamps shine bright
with its orange glow, in this Golden Season

Verse 2:
Its even colder now, Winter's on its way
and all the kids prepare to carve their pumpkins...
with scary faces
And eat pumpkin pie, in these festive times
and watch the fireworks explode like the fourth of July

Chorus:
I know that it rains a lot, but I don't mind
it gets dark by 4'o'clock and the street lamps shine bright
with its orange glow, in this Golden Season

Middle 8:
Mainly adlibs

Chorus:
I know that it rains a lot, but I don't mind
it gets dark by 4'o'clock and the street lamps shine bright
with its orange glow, in this Golden Season

..In this Golden Season..'

Chords for the Verse: 
Bm7
Em7 (2nd Inversion)
GM7
F#m7
Chords for the Chorus:
GM7
F#m7
Bm7
Am7 (leading to) DM7 (2nd Inversion)
Chords for the Middle 8:
Em7
F#m7
Bm7
GM7


Lets Sail (Album Track)

Verse 1:
'And I'm like months, days, nights, It has been the same thing
And I'm like our love is like, like a vicious circle who'll fight
Tell me how do you think that the love we had could ever survive
And I don't need, all of this in my life

Feel the rhythm in my heart, as a speak
could you see it beating ? could you feel it beating ?
from the start, feels a tension, as I speak
Tell me how you feel, tell me how you feel

Chorus:
And lets sail, lets sail, Lets get by
And lets sail, lets sail, Lets get by
Lets make a way to get by
And lets sail, lets sail, Lets get by

Middle 8/Verse 2:
Look into my eyes, tell me what you like
hold my hands high, tell me that you love me too
Tell me that the feeling that I'm feeling is mutual i know its hard but..
I tell you all the time, I want you to be all mine
You take it as a joke you laugh all day
In my head I'm falling for you


Chorus:
And lets sail, lets sail, Lets get by
And lets sail, lets sail, Lets get by
Lets make a way to get by
And lets sail, lets sail, Lets get by

And lets sail, lets sail, Lets get by
And lets sail, lets sail, Lets get by
Lets make a way to get by
And lets sail, lets sail, Lets get by'

Chords for the Verses&Chorus:
CM7 to CM6
Bm7 to GM7(1st Inversion)
Am7 to DM7 (flat 7th)
GM7