Thursday 12 December 2013

History of Electronic Music

Loop Pedals




A loop pedal is a digital sampler built into a foot-operated pedal which allows musicians, primarily guitarists, to be able to record a phrase of music and then loop it over and over again with the use of the foot pedal.
The loop pedal's origin came from tape looping, with the use of a reel to reel machine, recorded magnetic tape is cut end-to-end which then creates a loop which can then be played continuously. 
The sound that was looped however, was very short which, some musicians were fine with but other musicians would get two reel to reel machines and attach a longer piece of the magnetic tape in order to get a longer loop, which didn't actually create a longer loop but just created a giant echo. 
The modern method of looping however, is used with a loop pedal which is a much easier method than tape looping. 
Loop pedals can be a great asset to solo performers and one man bands who play the guitar or any instrument that requires an amplifier because it allows them to create layers of looped sound which can give them richer and deeper melodies and textures during their live performances.

There are various known musicians and artists who are known for using a loop pedal in their gigs/performances, here is a list of the known artists/musicians;


  • Victor Wooten
Victor Wooten is a famous electric bass player who is known for his playing style, which includes techniques like slapping, muting, harmonics, tapping and playing chords on a bass guitar. In the video above, Victor is performing Isn't She Lovely by Stevie Wonder and demonstrates many of these techniques, he starts by looping the chords of the song then afterwards he loops the bass line. 
Now that the foundation of the song has now been looped, Victor continues to plays the main melody of the song as well as improvising with chords and harmonics. At  3:05, Victor erases the previous sounds that he had looped and replaces it with a simple bass line and then continues to improvise over it.
  • Ed Sheeran 
Ed Sheeran is an English singer-songwriter who began his music career in 2005 and moved to London in 2008 to pursue it further. His debut album '+' features a variety of songs it is literally just him and his guitar which makes him quite a unique young artist. 

In the video above, Ed is performing his song You Need Me, I Don't Need You with the use of his guitar along with his acoustic style of playing which usually involves himself using a loop pedal that is plugged in to his guitar as well as his microphone which he uses for beatboxing as well as singing long and short phrases to add effect as shown in the video.

The differences between Ed Sheeran's uses of the loop pedal compared to Victor Wooten's is that Ed tends to use more percussive techniques for example, hitting the bottom end of the guitar and looping to serve as the pattern of the kick drum. A similarity between the two players which is more unusual for Victor would be that they both loop chords and then play the melody over it.


  • KT Tunstall
KT Tunstall is a Scottish singer-songwriter and guitarist. She began her career in 2000 and like Ed Sheeran, is known to play the guitar and sing.
In the video above, she is performing her song Black Horse & The Cherry Tree, she starts by looping the vocals and the beat as well as using the tambourine to make the foundation of the song then soon afterwards she starts to play the guitar and the lead vocal melody.

Between Ed and Victor's playing style with the loop pedal, KT Tunstall is very similar to Ed's playing style in the sense that, they both use percussive techniques on the guitar and they both loop vocal phrases but also, at the same time they are both very different artists. 

Different loop pedals include;
Boss RC-3 Loop Station
Boss RC-50 Loop Station (Image Below)
Akai E2 Headrush
VOX VDL1 Dynamic Looper Pedal Processor









Bibliography:
http://en.wikipedia.org/wiki/Tape_loop




Sunday 8 December 2013

Arrangements of others








The Greatest Love of All (Original)


  • In the first verse, Whitney Houston sings softly with the electric piano, however in the pre-chorus, she starts to sing much louder as do the band which really builds the song up for the chorus.
  • In the middle of the final chorus, there are syncopated chords that lead back to the chorus.
The Greatest Love of All (Arrangement)



What the world needs now is love(Arrangement)

  • The tenor and bass voices are mainly singing sustained notes during the chorus and are rarely singing the first verse with the soprano and alto voices.
  • The arrangement is in the time signature of 3/4 which gives a swing feel which is notated as Moderate Gospel.
  • On the second verse, all of the voices are singing in unison.
  • In the final chorus, The arrangement modulates up a whole tone


What the world need now is love (Original)

  • The piece has a time signature of 3/4 which gives the piece a swing feel
  • Because the song has a mellow and gentle sound to it, the drummer is using brushes instead of drumsticks.
  • In the final chorus, the song modulates up a half tone and the singer starts to sing louder which builds the song up more.
  • After the modulation, There are backing vocalists singing alongside the lead vocalist until the end of the song.


We Three Kings (Sacred Rendition)

  • The main instrument used in this version is the organ, however as the song progresses, other instruments such as the gong and the tambourine start playing.
  • At the end of each line in the song, there is a small bell sound that could possibly be a triangle or chime bells.
  • There is an all male choir composed of tenor and bass voices which split occasionally for the tenor voices to sing the harmonies.

We Three Kings (Kamelot)

  • The Electric guitar is playing the main melody of the song as well as occasionally playing a guitar solo.
  • This version of the song is being played by the full band of instruments so there are different techniques like power chords and drum rolls being used which is very different compared to the other versions.
  • In the middle of the song, the 'Metal' feel dies down and you are able to hear choral voices and chime bells until the band start playing again
We Three Kings (Ella Fitzgerald)

  • In this version, Ella Fitzgerald is singing the main melody of the song, however the way she is singing it gives the song more of a swing feel to it
  • The choral voices in this version are being used as backing vocals instead of the lead vocals which the sacred rendition has, they also seem to be mainly composed of bass and tenor voices.
  • For a more 'bluesy' feel, the main instruments used are the harp, the double bass and the piano which tends to use seventh chords.
  • Because the song is in 3/4, the instruments (mainly the double the bass and the harp) give the song a sense of rhythm although there are no drums.